People Places Talks & Workshops

Cinema Reclaimed: DRIVING, KICKING, AND PUNCHING!

by Cinema Reclaimed
14, 21, 28 May • 02:00pm • Oldham Theatre
14, 21, 28 May • 05:00pm • Oldham Theatre

Join us for a series of curated film screenings and a live dialogue session with the curators behind the third edition of Cinema Reclaimed. This programme is presented in collaboration with Asian Film Archive for Singapore HeritageFest.

Cinema-Reclaimed-DRIVING-KICKING-AND-PUNCHING

Cinema Reclaimed: DRIVING, KICKING, AND PUNCHING!

 

Programme 1: Cinema Reclaimed Talk: DRIVING, KICKING, AND PUNCHING!

by Ben Slater

 

Sun, 14 May 2023 | 2pm - 3:15pm

Venue: Oldham Theatre 

Fee: Free with registration

Registration: cinemareclaimedtalk.peatix.com 

 

This year’s Cinema Reclaimed talk provides a quirky survey of how sport and transport have been glimpsed in the cinema of Singapore, and are ways to bring us around the city-state. As we work our way through the moving image archive, there’ll be digressions on film locations, different eras of filmmaking, the loneliness of taxi drivers (and before that, trishaw drivers), as well as how films have struggled to portray team-sports as opposed to individual athletes’ journeys. Many films will be covered, from the iconic and well-known to the rare and obscure, from the post-war studio era right through to the 2000s.

 

Curated by Cinema Reclaimed with support and collaboration from the Asian Film Archive.

Photo

Photo courtesy of Asian Film Archive

Programme 2: Hantu Rimau (Tiger Ghost) 1960

Directed by L. Krishnan, B. N. Rao & S. Roomai Noor

Starring S. Roomai Noor, Mary Lim, Siput Sarawak, Yem, Safinah

Malay, Black & White, 117 mins

 

Sun, 14 May 2023 | 5pm

Sun, 21 May 2023 | 2pm

Venue: Oldham Theatre

Fee: $10 per pax

Registration: hanturimau.peatix.com 

 

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story hinges on the romance between an English expat and a Malay woman. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. A fun, stylish entertainment with lots of wonderful locations and contemporary details.

 

Curated by Cinema Reclaimed with support and collaboration from the Asian Film Archive.

Photo

Photo courtesy of Jacen Tan

Programme 3: The Complete Hosaywood Football Shorts, 2005-2020

Directed by Jacen Tan

In Mandarin, Malay, English & Singlish

Colour, 75 mins

 

Sun, 21 May 2023 | 5pm

Venue: Oldham Theatre

Fee: $10 per pax

Registration: hosaywood.peatix.com 

 

In 2005, just before YouTube launched, a video went viral hilariously depicting the life of local football fans: sneaking around to play in public spaces, evading authorities, placing bets and arguing over S-League. That film, Tak Giu, was the debut of Jacen Tan and his collective Hosaywood. While he’s satirised other aspects of Singaporean life, Tan’s greatest subject remains closest to his heart. His documentaries about football capture the passion for the game, and the struggle to create spaces for it in Singapore, often against the odds (and in spite of the system). Here for the first time ever we present all the Hosaywood football films and what emerges is a funny, moving and joyous celebration of the resilience of Singaporean football.

 

Films included: Tak Giu (2005), Lions All The Way (2013), Homeground (2015), Ultramen Johor (2014), Table Football Fanatics of Singapore (2020), Kwa Giu - Tribute to the National Stadium (2011)

 

We’re excited to announce that cast and crew will be present at the screening to introduce the film and for a Q&A afterwards!

 

Curated by Cinema Reclaimed with support and collaboration from the Asian Film Archive.

Photo

Photo courtesy of Asian Film Archive

Programme 4: Insan (Human), 1955

Directed by K. M. Basker

Starring Siput Sarawak, Omar Rojik, Ahmad Mahmood, Sa'adiah, Latifah Omar

In Malay

Black & White, 96 mins

 

Sun, 28 May 2023 | 2pm

Venue: Oldham Theatre

Fee: $10 per pax

Registration: insan.peatix.com 

 

The same year Shaw’s Malay Film Productions released P. Ramlee’s Penarek Becha, they also produced this melodrama centred around another humble trishaw driver. Like Ramlee’s film it was co-written by young literary upstart Jamil Sulong (who later became a director). Similar issues around class, wealth and modernity are explored through the tale of a kindly older trishaw driver (Omar Rojik) who adopts Jamilah, an orphan and marries her guardian, offering her a simple but better life (including a very, very long visit the circus). As the years pass Jamilah pulls away from her impoverished kampong life towards a world of motor cars and monied families, while kind Omar’s health is failing. A classic slice of social-realist melodrama.

 

Curated by Cinema Reclaimed with support and collaboration from the Asian Film Archive.

Photo

Photo courtesy of Asian Film Archive

Programme 5: Perth, 2004

Directed by Djinn

Starring Lim Kay Tong, Sunny Pang, A. Panneeirchelvam, Qiu Lian Liu

In English, Hokkien, Mandarin, Vietnamese

Colour, 107 mins

 

Sun, 28 May 2023 | 5pm

Venue: Oldham Theatre

Fee: $10 per pax

Registration: perthcinemareclaimed.peatix.com 

 

Echoes of Martin Scorsese’s Taxi Driver, but Perth is its own film. Lim Kay Tong’s Harry Lee, an ageing, angry ex-Navy veteran struggles to make a future in a modern city-state that doesn’t want him any more. He becomes a taxi driver to save up towards his dream of escaping to Australia, but gets stuck ferrying drunk yuppies late at night. When he starts chauffeuring sex workers pimped by sinister gangsters operating out of a bar in Geylang, Harry faces the heart of Singapore’s darkness, and believes he can find redemption for his past sins. The details of a taxi driver’s life are spot-on: pandan leaves in the back, the over-sharing conversations, but Djinn’s film is best viewed as grotesque black comedy (often wallowing in misogyny and brutal violence), led by Lim’s intense go-for-broke performance.

 

We’re excited to announce that cast and crew will be present at the screening to introduce the film and for a Q&A afterwards!

 

Curated by Cinema Reclaimed with support and collaboration from the Asian Film Archive.

Cinema Reclaimed
Cinema Reclaimed is the film strand of Heritage Festival which began in 2020. Each edition reflects the festival’s themes, with previous programmes on Medicine & Modernity, The Temptations of Travel, and last year’s focus on sports and transport - Driving, Kicking & Punching. This year’s theme is DREAM PALACES, on the architecture of cinemas in Singapore and they way films capture the built environment. Curated by Ben Slater with research and curatorial support from Toh Hun Ping.




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